Rohan palace

[3 out of 9 museums of your choice in the City of Strasbourg by Pass] The decorative arts collections trace the diversity and evolution of Strasbourg's applied arts from 1681 to 1870, particularly in the areas of furniture, ceramics, clocks and silverware. The museum also presents a selection of mechanical toys from the Tomi Ungerer donation.

The prestigious palace of the cardinals of Rohan and the arts in Strasbourg in the 18th and 19th centuries, with the famous Hannong earthenware dishes. The Museum of Decorative Arts is housed on the ground floor of the Rohan Palace. The former residence of the four cardinals of Rohan, bishops and princes of Strasbourg, was built from 1732 to 1742 on the plans of architect Robert de Cotte.

[3 out of 9 museums of your choice in the City of Strasbourg by Pass] The Musée des Beaux-Arts presents an exceptional panorama of the history of painting in Europe from the Middle Ages to 1870: Italian and Flemish primitives (Giotto, Memling); the Renaissance and Mannerism (Botticelli, Raphael); the golden age of Dutch painting and the great names of Flemish painting (Rubens, Van Dyck); Baroque, Classicism and Naturalism in the 17th and 18th centuries (Vouet, Canaletto, Goya); Romanticism and Realism in the 19th century (Corot, Courbet). (Corot, Courbet).

A walk through paintings, from the Middle Ages to the 20th century.The Fine Arts Museum was founded in 1880. Wilhelm Bode, curator in chief of the Berlin Museums, was asked to reconstitute the collections destroyed when the “Aubette” was burned down in 1870. Until 1914, Italian, Flemish and Dutch paintings were favored over French and German ones. The collections grew after 1919, under the guidance of H. Haug and his successors, with a notable increase in the number of French works. Unfortunately two disasters wreaked havoc on the palace: the building and the collections were seriously damaged when the Americans bombed the City in 1944 and the fire of 1947 destroyed several famous paintings. The priority today is given to the acquisition of French paintings ( 17th and 18th centuries), still poorly represented. The addition of the Kaufmann and Schlageter collection has drastically transformed the collections